Tall Case Clock
CONSTRUCTION: Note the rabbeting of the various composite moldings, the unusual decreasing width of the arch molding (observed in several piedmont N.C. clock cases), and the lack of an attached base to the removable hood (the columns do not attach to the base, but rather are nailed to the hood case).
STYLE: The inlay on the case shows British influence in the use of segmental fanlike motifs, and the general form of the case and inset quarter columns are related, if distantly, to Delaware Valley work. The fanciful folk motifs, including the face in the tympanum, the sun piercing a quarter moon in the waist door–suggesting an allusion to the sun overcoming darkness–and the bicolored “fylfot” at the bottom of the door, argue strongly for a German cabinetmaker.





