Sarah Seabrook

Artist/Maker
Hodgson, William
Place Made
Richmond Virginia United States of America
Date Made
1783
Medium
oil on canvas
Dimensions
Canvas: HOA: 39 1/4″; WOA: 32″
Framed: HOA: 42 1/2″; WOA: 35 1/4″
Accession Number
5975.4
Description
SITTER: Sarah Seabrook (1773-1803) was born in Norfolk on October 18, 1773 to Nicholas Brown and Mary (Dutcher) Seabrook. At age twenty-one, on November 3, 1794, she married Richmond attorney James Rind in a double wedding ceremony with her sister Mary. Sarah had three children: Nicholas Brown Seabrook Rind, Maria Dutcher Rind, and Betsy Rind. In July 1803, shortly after Betsy’s death, the Rinds left Richmond for the spa town of Warm Springs, Virginia; James died en route and Sarah died shortly after her arrival. The couple were subsequently buried in the town of Staunton.

James Rind (1771-1803) was the youngest son of William and Clementina Rind, printers of the Williamsburg colonial newspaper, The Virginia Gazette. Orphaned at the age of three, Rind grew up in the households of Attorney General Edmund Randolph (1753-1813) and St. George Tucker (1752-1827), where he learned the legal profession. In addition to his law practice, Rind wrote political essays for Richmond’s Federalist newspapers and edited two compilations of Virginia laws published in 1792 and 1801. His most famous court case involved a successful defense of several enslaved men who had been arrested and tried as part of “Gabriel’s Rebellion.” In 1800, during the heated political exchanges of the day, Rind, a Federalist, was challenged to a duel by Meriwether Jones, a Jeffersonian. Rind suffered a bullet to the abdomen which, according to family tradition, contributed to his early death in 1803.

ARTIST: William Hodgson (1748-1806) was a London-born artist who emigrated to Virginia during the Revolutionary War. Previously called “The Payne Limner”—based on ten surviving portraits of the Payne family—he worked in Richmond and the surrounding counties of Henrico, Hanover, and Goochland in the late 18th and early 19th centuries. Approximately 18 of his works are now known. None of these works bears a signature or date, and the attributions are based on the strong stylistic similarities among the various portraits. The discovery of a portrait of Elizabeth Christian Humber (d.1835) (MESDA acc. 5984.1), Hodgson’s daughter’s mother-in-law cemented the attribution.

See: Robert A. Leath and Carolyn J. Weekley, “William Hodgson of London and Richmond: The Payne Limner Revealed”, The Magazine ANTIQUES (December 2020)

DESCRIPTION: An oil on canvas full-length portrait of a young girl of approximatley seven years of age. She is wearing a white gown with a lace collar, a red sash tied in a bow over her left shoulder and around her wast, a small bouquet of flowers in her hair, a double strand of pearls, and an artificial red and white silk flower at her bodice. She holds a gold watch in her hands.

History
The five Seabrook portraits remained in the family for six generations, first in Virginia and then with descendants in New Jersey. They descended from Captain Nicholas Brown Seabrook (1739-1790) to his son John Seabrook (1768-1844), to his son Nicholas Brown Seabrook (1799-1866), to his daughter Mary Gordon (Seabrook) Studdiford (1845-after 1930), to her son Douglas Seabrook Studdiford (1880-1971). They were consignd by the last family owner as a group to Nye and Company Auctioneers in New Jersey in January 2017.
Credit Line
MESDA Purchase Fund