Portrait of Zadock Long

Artist/Maker
Boudon, David
Place Made
Somerset County Maryland United States of America
Date Made
1796
Medium
silverpoint and watercolor on card
Dimensions
HOA: 4″ WOA: 3″
Accession Number
6049
Description
DESCRIPTION: Silverpoint and watercolor small-scale portrait of a man in a blue coat, white vest, and ruffled white stock. Brass and wood frame possibly original.

ARTIST: David Boudon was born in Geneva in 1748, where he apprenticed with the German engraver Jean-Daniel Dupré and took classes at Geneva’s school for the arts. After brief periods in France and Italy, the artist emigrated to the United States. He arrived in Charleston in 1794 or 1795. By 1795, Boudon was painting small likenesses with watercolor on ivory and vellum in Georgia. Journeying along the Atlantic coast and eventually into the Ohio River Valley, advertisements by the artist track his movements as an itinerant craftsman through North and South Carolina, Baltimore, Washington, Virginia, and Philadelphia, to Chillicothe, Ohio, and finally, Kentucky.

SITTER: Zadock Long (1756-1831), of Somerset County, Maryland. The son of Soloman and Margaret Maddox Long, Zadock’s 1796 portrait was likely done about the time that he began leasing the Washington Inn in Princess Anne, Somerset, MD. In 1797, he purchased the tavern from John Done.

Artist Biography
ARTIST: David Boudon was born in Geneva Switzerland in 1748. At the age of twelve he was apprenticed to the Genevan copperplate engraver Jean-Daniel Dupre. He probably began as a copperplate engraver in the late 1760s. By 1780 he was also working in the metalpoint technique. Some scholars think Boudon moved from Geneva to Italy sometime after 1786. In 1794 he emigrated to America, working first in Charleston and Savannah and later in several mid-Atlantic locations. Toward the end of his career he moved further west to Chillicothe, Ohio.
Boudon is known primarily as a miniaturist, working mostly in silverpoint on vellum, although some of his works are watercolor on ivory. His style, with its thin color wash over a linear image, reflects his early training as an engraver. According to his own advertisements, he considered himself more as a drafstman or “limner” rather than a painter. (See Nancy E. Richards, “A Most Perfect Resemblance at Moderate Prices: The Miniatures of David Boudon.” (Winterthur Portfolio 9, pp 77-102)