Collections › MESDA Collection › Mary (Goode) Spotswood

Mary (Goode) Spotswood

Artist/Maker:
Sully, Lawrence
Place Made:
Richmond Virginia United States of America
Date Made:
1795-1800
Medium:
watercolor –ivory
Dimensions:
Miniature HOA 1-7/8″; WOA 1-3/8″

Case HOA 6-3/8″; WOA 5-3/4″

Accession Number:
5601
Description:
SITTER: Mary (Goode) Spotswood (1776-1847) was the daughter of Colonel Robert Goode of “Whitby” (1742-1806) and Sally Bland Goode (b.1750) who both descended from prominent Virginia families. In a book published in 1887 their grand-daughter Mary Bland Spotswood Lemoine remembered Colonel Goode as “an officer of the Revolutionary war, a genial, open-hearted, hospitable gentleman, who entertained largely at his seat, Whitby, the elite of Richmond, and all tide-water Virginia.” Lemoine also identified this miniature portrait as being of her mother but, erroneously, recalled it as the work of the artist’s brother, Thomas Sully.

A noted Richmond belle, in 1795 Mary Goode married John Spotswood (1774-1835) of “Orange Grove” near Fredericksburg, a great- grandson of Virginia Governor Alexander Spotswood. This portrait could have been painted at the time of her marriage or shortly thereafter. Mary and John Spotswood had seven children including Mary Bland Spotswood (1805-1886) quoted above who married John Estave Lemoine (1798-1872) of Alexandria in whose family this portrait descended.

ARTIST: This portrait miniature is a rare example of a signed miniature by Lawrence Sully (1769-1804), the elder brother of artist Thomas Sully (1783-1872). Lawrence Sully was born in Kilkenny, Ireland to actors Matthew and Sarah Chester Sully. The family moved to Horncastle, England, and then to America, where they briefly settled in Richmond, Virginia. On September 26, 1792, Sully first advertised as a “Miniature Painter (and Student of the Royal Academy, London).” The artist stated that his miniatures were “warranted never to fade.” Though his family would before move on to New York and Charleston, South Carolina. Lawrence chose to remain in Virginia, painting miniatures in Richmond, Norfolk, and Petersburg.

In 1793, Sully married Sarah Annis of Annapolis, Maryland. In 1801, Sully advertised a plan to open a drawing school in Richmond, but he may have moved to Norfolk before achieving this goal. Sully suffered from financial difficulties. Tradition says that he was killed in a fight with some sailors. After his death, his brother Thomas, whom Lawrence had taught and who would eventually surpass him in fame, married his widow Sarah.

REFERENCES:
G. Brown Goode “in the book “Virginia Cousins: A Study of the Ancestry and Posterity of John Goode of Whitby” (Richmond, Virginia: J. W. Randolph & English, 1887)

DESCRIPTION: Watercolor on ivory miniature portrait of a woman having light brown hair with tendrils cascading down her shoulders; she appears to have two pearl encrusted combs in her hair. Having very dark eyebrows which excentuate her dark blue eyes, which are almond shaped with heavy lashes. Her cheeks and lips have a peach-pink tone. She wears a cream colored dress with a ruffled neck, having pearl accents. The background is split: the upper portion is blue and the lower portion is brown. The ivory portrait is set inside an oval brass frame with scalloped beveled detailing along the edge, and a small ring for hanging.

History:
Painted for Mary (Goode) Spotswood (1776-1847) by Lawrence Sully (1769-1804). It decended to her daughter Mary Bland (Spotswood) Lemoine (1805-1886) to her daughter Eva Spotswood (Lemoine) Perkins (1868-1958) and then to her daughter Katherine Lemoine (Perkins) Stark (1901-1993).
Credit Line:
MESDA Purchase Fund